Joanna Zylinska is a writer, lecturer, artist and curator, working in the areas of new technologies and new media, ethics, photography and art. She is Professor of New Media and Communications at Goldsmiths, University of London. From 1 September 2021 she will be Professor of Media Philosophy & Critical Digital Practice in the Department of Digital Humanities at King’s College London. She has held visiting positions as Guest Professor at Shandong University in China, Winton Chair Visiting Scholar at the University of Minnesota, US, and Beaverbrook Visiting Scholar at McGill University in Canada.
Zylinska is the author of eight books – most recently, AI Art: Machine Visions and Warped Dreams (Open Humanities Press, 2020, open access), The End of Man: A Feminist Counterapocalypse (University of Minnesota Press, 2018, open access) and Nonhuman Photography (MIT Press, 2017). Her work has been translated into Chinese, French, German, Norwegian, Polish, Portuguese, Russian, Spanish and Turkish.
Zylinska combines her philosophical writings with image-based art practice and curatorial work. In 2013 she was Artistic Director of Transitio_MX05 ‘Biomediations’: Festival of New Media Art and Video in Mexico City. She has presented her work at many art and cultural institutions, e.g. Ars Electronica in Linz, CCCBarcelona, Centre Culturel International de Cerisy, Fotomuseum Winterthur, MMOMA in Moscow, Serpentine Galleries in London, SESC Sao Paolo and Transmediale in Berlin.
She recently co-edited Photomediations: An Open Book and Photomediations: A Reader as part of Europeana Space, a grant funded by the European Union’s ICT Policy Support Programme. She is currently researching perception and cognition as boundary zones between human and machine intelligence, while also trying to answer the question: ‘Does photography have a future?’
Within the Biofriction project, Paula takes part in the Biofriction Summer Program.