Saša Spačal is a post-media artist working at the intersection of living systems research, contemporary and sound art. Her work focuses primarily on the posthuman condition, where human beings exist and act as one of many elements in the ecosystem and not as sovereigns. Therefore abandoning the Cartesian system of classification and accepting the fact that the field of technology has expanded not only from hardware to software but also to wetware resulting in hybrid phenomena inscribed in mechanical, digital and organic logic.
Her work was exhibited and performed at venues and festivals such as Ars Electronica Festival (AT), Prix Cube Exhibition (FR), Transmediale Festival (DE), Athens Digital Arts Festival (GR), Centre de Cultura Contemporania Barcelona – CCCB (ES), Perm Museum of Contemporary Art (RUS), Onassis Cultural Center Athens (GR), Chronos Art Center (CHN), Laboratoria Art & Science Foundation / New Tretyakov Gallery (RUS), Prague City Gallery (CZ), Cynetart Festival (DE), National Art Museum of China (CHN), Museum of Contemporary Art Metelkova (SI), Kapelica Gallery (SI), Device_art (CRO), Art Laboratory Berlin (DE), Kiblix Festival (SI), Gallery of Contemporary Art Celje (SI), Museum of Contemporary Art Vojvodina (SRB), Lisboa Soa Festival (PT), Sonica Festival (SI). Her works received awards and nominations at Prix Ars Electronica, Ars Electronica Starts Prize, Japan Media Art Award, Prix Cube, New Technology Art Award and New Aesthetica Prize.
Within the Biofriction project, Saša takes part in the lecture Grounding symbiosis, sonifying care.