I versus Us versus I _ by Yvonne Billimore

Reflections on encountering and thinking-with “other” bodies through art. The following text is an experiential description of listening to the sound work Arachnid – Tick sensing by Kira O’Reilly and Antye Greie (AGF):   tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick, tick tick. tick. tick. tick… tick… tick… pulsing. pulsing. breathe […]
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Leah Beeferman

BIO Leah Beeferman works with the landscape through digital image-making, photography, video, text and sound. Her work explores the relationships between observation and abstraction, natural and digital, physical and experiential. She has had solo exhibitions at Rawson Projects, New York and Sorbus, Helsinki. Recent two-person or group exhibitions include Fiskars Village Biennial, Finland; Sirius Arts […]
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Saša Spačal

BIO Saša Spačal is a post-media artist working at the intersection of living systems research, contemporary and sound art. Her work focuses primarily on the posthuman condition, where human beings exist and act as one of many elements in the ecosystem and not as sovereigns. Therefore abandoning the Cartesian system of classification and accepting the […]
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Arnau Sala Saez

BIO Arnau Sala Saez is a musician and visual artist. His work transits different formats that feed off each other. Sound translates visual structures, and the form is condensed into sound compositions. Through this habitat Arnau is building a system in which its elements are related around the same consciousness. His work is also conditioned […]
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Leslie García

BIO Leslie García is an electronic sound artist and digital media developer from Tijuana. She explores the fusion process between art and technology, using techniques such as virtual tool production, electronic prototyping, audio production, net.art part design and generative visual codes, hardware development, and biological interfaces. Co-founder of the bio-art collective Interspecific (Mexico City) 2013 […]
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Sonic fictions. Workshop by Helen Torres

How does power operate through sound violence? How did colonial practices use sound as a tool of domination and control, from the barking of dogs to the mutilation of auditory organs? How do police and military forces use sound as an instrument of torture and repression? What violences are generated when language is lost, erased, […]
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