Biofriction Artist-in-residence ADRIANA KNOUF @ Kapelica Gallery

In the video document, Biofriction artist-in-residence Adriana Knouf talks about developing her project Xenological Entanglements. 001: Eromatase during her residency at Kapelica Gallery. She touches upon several aspects of the project, ranging from her childhood desire to go to space, xenology, self-experimentation, hormones, relationships between art, science and technology, to Leydig cell cultivation, thin-layer chromatography, […]
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BIOFRICTION SUMMER PROGRAM

From the 12th to the 17th of July of 2021, Hangar hosts the Summer program of Biofriction. The Summer program is a six-day intensive full-time programme on experimental practices where to share and generate situated knowledge(s). Composed of a series of workshops, seminars, and presentations on Wetlab, Radical Ecologies, Ethics, Biohacking, and F(r)ictions; bringing together […]
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On Encounters, Agencies and Touch. A conversation with Brandon LaBelle

Brandon LaBelle, The Free Scene, 2017, La Tabacalera, Madrid. With Vicente Colomar, Fátima Cué, María Escobar, Antonio Gómez, Annie Pui Ling Lok, Catalina Mahecha, África Clúa Nieto   Reading Sonic Agency, one of the first questions that emerge, perhaps not literally, is that a body can be anything. “It can be an animal, a body of […]
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‘Xenological Entanglements. 001b: Saccular Fount’

On the 23rd of March 2021 at Zavod Kersnikova in Street Likozarjeva 1, Ljubljana, the inauguration of Saccular Fount a speculative wearable device that suggests a near-term future where personal hormone production is both possible and necessary. She needs what it provides, badly. She’s intoxicated by the estrogen molecule, a rather simple thing really, yet […]
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Paratext #50 ft. Kinlab

This name, Paratext, hides a monthly program of performances by artists in residence at Hangar as well as artists on exchange grants. They present, in different formats, specific projects or parts of their work. The sessions are always open to the public with the purpose of enabling interaction with the artists themselves. Each Paratext also […]
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