Biofriction Radio: Kinlab

Biofriction Radio is a collection of podcasts interviewing Biofriction artists in residence exploring evolutionary biology, artistic practices, and thoughts from experimental research with biotech. In the podcast, Maddalena Fragnito and Zoe Romano, Biofriction artists in residence at Hangar, talk about the development of their project OBOT,(an acronym for Our Bodies, Our Tech). Through their research, […]
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On Encounters, Agencies and Touch. A conversation with Brandon LaBelle

Brandon LaBelle, The Free Scene, 2017, La Tabacalera, Madrid. With Vicente Colomar, Fátima Cué, María Escobar, Antonio Gómez, Annie Pui Ling Lok, Catalina Mahecha, África Clúa Nieto   Reading Sonic Agency, one of the first questions that emerge, perhaps not literally, is that a body can be anything. “It can be an animal, a body of […]
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Biofriction Radio: Adriana Knouf

  Biofriction Radio is a collection of podcasts interviewing Biofriction artists in residence exploring evolutionary biology, artistic practices, and thoughts from experimental research with biotech. In the podcast, Adriana Knouf, Biofriction artist in residence at Kersnikova, talks about her project Xenological Entanglements. 001: Eromatase, which she began developing during her Biofriction residency at Kapelica Gallery […]
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‘Xenological Entanglements. 001b: Saccular Fount’

On the 23rd of March 2021 at Zavod Kersnikova in Street Likozarjeva 1, Ljubljana, the inauguration of Saccular Fount a speculative wearable device that suggests a near-term future where personal hormone production is both possible and necessary. She needs what it provides, badly. She’s intoxicated by the estrogen molecule, a rather simple thing really, yet […]
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Paratext #50 ft. Kinlab

This name, Paratext, hides a monthly program of performances by artists in residence at Hangar as well as artists on exchange grants. They present, in different formats, specific projects or parts of their work. The sessions are always open to the public with the purpose of enabling interaction with the artists themselves. Each Paratext also […]
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