Paratext #50 ft. Kinlab

This name, Paratext, hides a monthly program of performances by artists in residence at Hangar as well as artists on exchange grants. They present, in different formats, specific projects or parts of their work. The sessions are always open to the public with the purpose of enabling interaction with the artists themselves. Each Paratext also […]
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FREAKTION BAR #14: ‘Intoxicated by Estrogen’

Open discussin: 3rd of December, 2020 ⏰ 19:00 h 📍Kapelica Gallery / Kersnikova Institute, Kersnikova 4, Ljubljana 🗣️ Guest speakers: Lea Aymard, dr. Neža Grgurevič, Pia Brezavšček, dr. Adriana Knouf / Moderator: Domen Ograjenšek Hormones permeate our bodies, messengers that guide the actions of cellular processes on micro and macro levels. Sex hormones, such as […]
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Bio-autonomous Farming

How many kinds of female ejaculation do you know? Can a brain orgasm be transformed into a renewable energy source in times of disaster? In this workshop, Isabel Burr Raty presented the essentials of the bio-autonomous female farming system employed at her Beauty Kit Farm, where was exploring some of these questions with the workshop participants. This farm is […]
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Xenological Entanglements. 001a: Trying Plastic Variations

Lecture performance: October 7, 2020 @8PM 📍 Kapelica Gallery, Kersnikova 4, Ljubljana Xenological Entanglements is a multi-year project exploring the xenomogrificationof the tranxxeno body. With altered scientific technologies the artist makes herself the other. In 001. Eromatase at the Kapelica Gallery/Kersnikova Institute, the artist aims to genetically engineer testicular cells (known as Leydig cells) to overproduce oestrogen within a microgravity context. […]
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Maddalena Fragnito and Zoe Romano (Kinlab)

  BIO Zoe Romano is a craftivist, digital strategist and lecturer focused on social innovation, women in tech, technology, open design. She graduated in Philosophy at the University of Milan, worked for several years in digital communication and tech, developed her social skills as media-hacktivist on precarity, material and immaterial labor in the creative industries. […]
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